Paris Journal 2013 – Barbara Joy Cooley                  Home: barbarajoycooley.com

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Almost aimlessly, we wandered.  In the beginning of the walk, I did aim us down the avenue Émile Zola, with the notion that we’d cross the Seine on the Pont Mirabeau.  But after that, I had no plan.

 

After we’d negotiated the complicated intersection at Charles Michel, we were passing by the place that was Restaurant Oh! Duo, one of our alltime favorites, until last month.  We have been curious about what will take its place, now that Joel and Françoise Valero have retired.

 

The Valero duo that had been there for 28 years had a nice resto.  But after 28 years, some things might need to be updated.  So we weren’t surprised at all to see the awning removed, revealing its interesting metal framework.

 

And we weren’t surprised to see that everything had been removed from the interior, and that much painting and plastering was going on.  A young man with spectacles and a shaved head was emptying buckets of water that contained a little plaster dust into the drain at the curb.  He ducked back inside, but was facing us as he worked on his knees when we went by.

 

He looked up.  We made eye contact and exchanged “bonjours.” We could tell by his slight smile and his greeting that he was most likely not a painter or plasterer.  We thought he seemed to be the new patron, or maybe even the chef.  The look said he was hoping we’d be clients.

 

As a rule, chefs have to be in pretty good shape, and it would not be unusual for a chef who owns his own little restaurant to do some of the renovation work.  These guys are generally talented and physically capable, aren’t they?

 

We continued on toward the bridge.  After crossing the river, we decided to wander whereever the wandering seemed to be most attractive, block by block. 

 

In hindsight, I can see now that we walked up the rues de Rémusat and Leconte de Lisle.  Then we found the picturesque little triangles that included the Place Jean Lorain where the marché Auteuil takes place on Wednesdays and Saturdays.

 

I kept seeing townhouses – what appeared to be single family homes – that I found to be appealing.  Townhouses aren’t common in Paris.

 

At the foot of the avenue Mozart, we could see Guimard-designed “Castel Deranger” (Castel Béranger) a short block away.   But we’ve been that way a number of times so we went in the other direction, on the rue La Fontaine, to see something new.

 

We must have walked up the rue d’Auteuil because we ended up almost at the Porte d’Auteuil.

 

In the mood for wide sidewalks and mature street trees, we turned down the boulevard Exelmans – a true boulevard, with a real median – broad and gracious.

 

Peeking around the corner on the rue Boileau, I noticed the Laboratoire Aerodynamique Eiffel, founded in 1909.  It is a wind tunnel laboratory still in operation today, and used in the design and engineering of everything from buildings to cars to aircraft and ventilation systems.

 

Eiffel’s first wind tunnel laboratory was located on the Champ de Mars, at the base of the Eiffel Tower.  But people there complained about noise from the facility.  This one in the 16th arrondissement was constructed in 1912, and is in active use today.

 

Aerodynamics research was something that Gustav Eiffel decided to do after he retired from the Compagnie des Etablissements Eiffel. 

 

We’d already passed by the lovely art-nouveau Hector-Guimard-designed metro entrance at Mirabeau, and of course remembered Castel Béranger from prior years.  We were not prepared to stumble upon Guimard’s Hôtel Jassadé au 41 rue Chardon-Lagache.  It caught us by surprise.

 

I think Hector Guimard always meant to surprise us.  His designs are whimsical, imaginative, creative, and, at the time, new and inventive.  The world he saw when he closed his eyes must have been phantasmagorical.

 

Next we noticed the large Hôpital Sainte Perine on our right.  It, along with the adjacent Maison de Retraite Rossini, is a home for retired people, but the hospital seems to have other specialties like a burn unit.

 

The Sainte-Perine-Rossini grounds are extensive, and across the street, the École Normale d’Instituteurs and the Lycée Jean Baptiste Say also have extensive grounds, making this one very large institutional area.  But it is surprisingly not unattractive.

 

Lycée Jean Baptiste Say is one of the better middle- and high-schools  in Paris.  The school’s namesake, the economist Jean Baptiste Say, was known for his views on property rights, among other things.  He said,  The property a man has in his own industry, is violated, whenever he is forbidden the free exercise of his faculties or talents, except insomuch as they would interfere with the rights of third parties.”  I put the emphasis on the last part of this sentence.

 

He was also known for his theories on supply and demand, which are often summarized in a number of ways, but my favorite one is “If you build it, they will come.”

 

That certainly is true of Paris.  They built it, and the world did come. 

 

After admiring the second Guimard-designed metro entrance of the day at Chardon-Lagache, we sauntered back down the rue Mirabeau to the point where we had started our walk through the western 16th arrondissement.  On our way over the bridge, we took in the lavish views of the Front de Seine, Eiffel Tower, and the Statue of Liberty.  

 

As we started back up the avenue Émile Zola, I noticed the name of the new proprietor and new restaurant on a piece of paper taped to the mailbox on the façade of the former Oh! Duo.

 

“Restaurant Le Pario” would be the name of the new place.  The proprietor would be “Monsieur Jacinto,” according to the piece of paper.

 

Duly noted.  The man we’d seen there earlier had gone home, and the place was locked up.

 

We moved on in the direction of home, but Tom was hungry and he did not want to wait until normal dinner time (7:30 or 8PM) to eat.  It was only 6:15, and he didn’t want to have a heavy, elaborate meal, either.

 

He suggested we go to the neighborhood brasserie, the Commerce Café, on the Place du Commerce.

 

So instead of going home, we turned right on the quiet rue Violet and walked down to the rectilinear park.  At the other end of it, we entered the brasserie, and were greeted warmly.  The terrasse was already buzzing with people of the neighborhood, drinking and chatting.  The brasserie staff like early diners, because that means the place makes just that much more money for the evening.

 

We took an indoor table, as we always do, in order to avoid the whispy cloud of cigarette smoke that hovers over the terrasse tables.

 

I ordered the small, thin seabass filets and fries, and Tom surprised me by ordering a Cantal burger and fries.  Then he even had dessert (café gourmand, which included tiramisu and chocolate cake!).  He was hungry indeed.  His hamburger was terrific, and the fries were perfect and piping hot.

 

This morning, I Googled the name “Jacinto” along with the words “chef” and “Paris.”  Voila!  Up came a photo of the young man we’d seen working on the former Oh! Duo space.

 

He is Chef Eduardo Jacinto Alvelar, the chef from Café Constant on the rue Saint-Dominique in the 7th arrondissement.  I think this is breaking news; I saw no indication anywhere on the web that any restaurant reviewers are aware that Chef Jacinto will now have his own restaurant.

 

He’s originally from Brazil, but he’d visited Paris a number of times and was very interested in French cuisine.  He met Christian Constant, the chef-proprietor of Le Violon d’Ingres, Les Cocottes, and Café Constant.  They hit it off.

 

So Eduardo Jacinto became chef at Café Constant, and it became a very popular place.  We’ve seen people line up out on the sidewalk, waiting for its doors to open in the evening.

 

We are so very fortunate to have him move over into our neighborhood, to start his very own place.  We enthusiastically await the opening of Le Pario.

 

The balloon rises over the Parc André Citroën, as we watch from the Pont Mirabeau.

 

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Friday, August 9, 2013

 

The Mirabeau metro entrance, above, and the Chardon-Lagache entrance, below.  Both are Hector Guimard designs.

 

 

Eiffel’s wind tunnel laboratory.

 

Hector Guimard’s Hôtel Jassadé on the rue Chardon-Lagache.

 

 

 

 

 

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