Paris Journal 2009 – Barbara Joy Cooley                  Home: barbarajoycooley.com

Sign my guestbook. View my guestbook.                                          Previous     Next                   Back to the beginning

 

We must return to one of the most important news stories of the summer in France:  the deadly green algae on beaches in Brittany.

A 48-year-old man has died after being in contact with the green algae.  He was a truck driver doing some work at a compost factory.   The paramedics first concluded that he’d had a heart attack because of his weight.  This happened on July 22.  But the president of the compost factory (where the decaying algae is taken and treated), Thierry Burlot, made his doubts about that diagnosis known in a letter that he wrote on August 25 to the prefect of the Côtes d’Armor, Jean-Louis Fargeas.

Fargeas’s doubts arose when the prime minister, François Fillon, spoke about the extreme toxicity of the decaying algae when he visited the Côtes d’Armor on August 20.  Local groups also denounced the algae as dangerous.

The prosecuter of the République de Saint-Brieux, to whom the prefect had sent a copy of Burlot’s letter, will decide at the beginning of this coming week what to do about this issue.  The victim was employed by a transport company in Plérin and lived in Lanvollon.  At the time of his death, he was unloading trucks of green algae in the afternoon.

The City of Paris has a special exhibition about the Eiffel Tower and its constructor, Gustave Eiffel, showing at city hall.  The show has been extended through the end of this month, so we decided to go yesterday just before closing time.

I’d found the following article about the exhibition back in June.  Fortunately, I’d saved it in OneNote, because it is gone from the internet now.  It tells the story fairly well:

Gustave Eiffel: Le Magicien du Fer

 

Written by Heidi Ellison   

Wednesday, 20 May 2009 00:00

 

clip_image004

Henri Toussaint's never-realized plan to add a

metallic skirt to theEiffel Tower for the

Exposition universelle of 1900. © RMN (Nusée

d’Orsay) / © Hervé Lewandowski

 

Gustave Eiffel: Le Magicien du Fer, a new exhibition at Pariss Hôtel de Ville celebrating the iconic tower’s 120th anniversary, has something for everyone. Engineers and architects can marvel at the inventiveness and technical prowess exhibited in beautifully rendered plans for bridges and other structures, including some that were never built, such as an “underwater bridge” under the English Channel. Art lovers can admire a plethora of paintings, drawings, prints and photographs of the tower by renowned artists, among them Robert Delaunay, Raoul Dufy, Fernand Léger and Man Ray, as well as documentary images of its construction. History and trivia buffs can revel in many curious facts about the tower and biographical info on the man himself.

And, just when you thought you knew everything there was to know about what must be the world’s most potent symbol of a city, you learn something new. The other designs entered into the competition for a tower for the Exposition Universelle of 1889, for example, were strikingly similar to Eiffel’s, not surprising since the guidelines for the competition called for “an iron tower with a square base… and a height of 300 meters.” And it turns out that Eiffel didn’t actually design the tower himself but bought the patent for it from two of the engineers working for his own firm, Maurice Kœchlin and Émile Nouguier, who had designed it in 1884.

Then there are the wonderful drawings for a competition held for the Paris Exposition Universelle of 1900. Entrants were told they could either replace the tower, save it or transform it. They came up with some fanciful (to say the least) ideas for dressing up the tower for the new century: adding an elaborate metal skirt around its lower levels (pictured above), turning it into a mountain (complete with roads, trees, villages, viaducts and a waterfall flowing into the Seine, which could have been very interesting), building a sort of temple adorned with huge statues around it, transforming it into a pyramid, prettifying it with flags and other decorations, and so on.

We also learn that Eiffel pioneered a number of innovative bridge-building techniques and was an expert in prefabrication, and that he designed the inner structure of the Statue of Liberty for sculptor Frédéric-Auguste Bartholdi. After his retirement, he devoted the last three decades of his life to research, conducting aerodynamic and aeronautic experiments and inventing, among other things, wind tunnels to test his theories (one, in Auteuil, still functions) and a high-speed fighter plane.

Thankfully, in spite of the fact that the odious tower, described by Joris-Karl Huysmans as a “solitary suppository riddled with holes” was detested by much of the public in the early days (the exhibition includes a petition against it signed by dozens of luminaries of the day, including Charles Garnier [architect of the Paris opera house] and Guy de Maupassant), none of the abovementioned plans was adopted, and Eiffel’s tower was saved in all its beautiful starkness, mainly because a telegraph antenna was installed on top of the 300-meter-high tower in 1905, making it an essential structure rather than just a curiosity.

The funny thing about Eiffel, as the exhibition points up, is that while his tower and other designs may have been avant-garde and even revolutionary, there was nothing the least Guevara-like about the man himself, who scorned modern art and lived in a seriously bourgeois town house stuffed with plush, ornate furniture like all good burghers during the Belle Epoque.

Another exhibition with similar themes, LEpopée de la Tour Eiffel, is being held on the first floor of the tower itself through December 21. And this year’s Bastille Day fireworks, to be set off from the tower, should be quite a spectacle.

Heidi Ellison

Hôtel de Ville: Salle Saint Jean, 5, rue de Lobau, 75004 Paris. Métro: Hôtel de Ville. Monday-Saturday, 10 a.m.-7 p.m. Closed on Sunday and public holidays. Admission: free. Through August 29.

 

After visiting the fascinating exhibition, we walked back to our neighborhood, crossing once again the ancient Ile de la Cité, this time in front of Notre Dame, as the church bells sounded at 7PM.  We paused to meditate in the graceful, old Saint Severin church.  Near the Saint Germain market, we went back and forth, trying to decide whether to eat dinner at our local Bristrot de la Grille Saint Germain, or to try the new place in the market, Terrazza St.-Germain.

We decided on the latter.  We need to find a new Italian place that we can rely upon.  We’re not so sure about Le Petit Mabillon anymore, after Tom experienced a not-so-good carbonara sauce there.  And the place on rue de Ciseaux isn’t so well run, and the food was just okay last time we went there.

The Terrazza has been catching my eye as I go by it frequently, because it seems to be attracting the locals and it is seemingly well-capitalized and well-managed. 

It is located along the northern edge of the market, and you can enter the restaurant either from the street or from within the market.  Formerly, a Nicolas café and wine store had been located there.  A couple years ago, the Nicolas café and shop suddenly disappeared, without warning.  We were very disappointed about that, because we like the food and the prices at Nicolas cafés. 

Tom ordered the spaghetti bolognese (13.50 euros), which may sound boring, but it is a test to see if the restaurant serves much meat sauce on the pasta.  To challenge the restaurant in a different way, I ordered the veal scaloppini marsala (16 euros), to see if the meat was properly cooked, tender and tasty, and not like shoe leather.

The restaurant passed the tests with flying colors.  Next, we shall test it for competency with seafood.  If it passes, it will go on the restaurant recommendations page and accompanying Google map.

The Terrazza serves its own excellent flatbread instead of baguette slices from a local bakery.  It also has a deli counter where you can buy various Italian dishes to take home.  The servers are handsomely dressed in dark gray shirts and black trousers.

The food is very well presented.  The veal was served with a delicious side of penne pasta and a little green salad.  The plates are large and colorful, and the servings are generous enough but not overwhelming.

We couldn’t manage dessert, but maybe next time.

When we got home in the evening, the literary critic’s TV was too loud again.  We now have an effective system for communicating about this.  We’ve used it about five times now, and it works every time!  If his TV is too loud, one of us stomps on the floor three times.  If the TV is outrageously loud, one of us stomps four times.  The literary critic then lowers the volume on the TV!  And generally, he keeps it down.  This is important because he goes to sleep with the TV on, therefore it is going all night.

He knows enough about who we are that I think it is a bit embarrassing.  Here’s the situation:

Author and professor emeritus of American literature and his writer/editor wife return home in the evening to sit down and read until bedtime.  Meanwhile, the French intellectual, the literary critic, has his television blaring, making reading difficult.  What does it say about the culture? 

At any rate, I’m happy that we’ve worked out a system for communicating without having embarrassing face-to-face discussions about it.

The literary critic is fortunate that we are south Floridians; it is our habit to immediately remove our shoes when we come home.  So, we don’t make much noise at all as we walk around over his apartment.  We also keep our voices very low if we talk at all in the courtyard or stairway, and, as I said before, we never slam the apartment door.  We even water the plants during drought.  Not bad for short-timers, I’d say.

Previous     Next

Sign my guestbook. View my guestbook.

Saturday, September 5, 2009

 

100_1544.jpg

Woman in a babushka walks along the Seine with her sack.

 

100_1541.jpg

More dancers on the Seine at the Square Tino Rossi.

 

100_1538.jpg

 

100_1555.jpg

Another view of the Great Blue Heron and ducks at the Parc Bercy.

 

100_1530.jpg

While the prefecture of the police is undergoing renovation on the Ile de la Cite, the scaffolding is covered with this friendly silk screened mural.

 

100_1511.jpgAttractive balconies and one date palm.

100_1507.jpg

Buildings on the left bank with their interesting rooflines.

 

100_1509.jpg

The Place de la Concorde.